Robert Fallon
• Musicologist
Select Publications
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Messiaen Perspectives 1: Sources and Influences, co-edited with Christopher Dingle (Ashgate, 2013).
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Messiaen Perspectives 2: Techniques, Influence, and Reception, co-edited with Christopher Dingle (Ashgate, 2013).
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“A Catalogue of Messiaen’s Birds,” in Messiaen Perspectives 2, edited by Christopher Dingle and Robert Fallon (Ashgate, 2013), 113–146.
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“The Tombeaux of Messiaen: At the Intersection of Influence and Reception,” in Messiaen Perspectives 2, edited by Christopher Dingle and Robert Fallon (Ashgate, 2013), 243–73.
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“Placing Mount Messiaen,” in Messiaen Perspectives 2, edited by Christopher Dingle and Robert Fallon (Ashgate, 2013), 323–39.
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“A Critical Catalogue of Messiaen’s Music,” in Messiaen Perspectives 2, edited by Christopher Dingle and Robert Fallon (Ashgate, 2013), 363–406.
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“Messiaen,” subject entry for the Grove Dictionary of American Music, 2nd ed., ed. Charles Hiroshi Garrett (Oxford University Press, 2013).
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“Dante as Guide to Messiaen’s Gothic Spirituality,” in Messiaen the Theologian, ed. Andrew Shenton (Ashgate, 2010), 127–43.
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“Messiaen’s Gothic Spirituality and the Renouveau Catholique,” translated into French by Martine Rhéaume, in Musique, arts et religion dans l’entre-deux-guerres, ed. Sylvain Caron and Michel Duchesneau (Symétrie, 2009), 387–403.
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“Birds, Beasts, and Bombs in Messiaen’s Cold War Mass,” Journal of Musicology, vol. 26, no. 2 (spring 2009): 175–204.
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“Two Paths to Paradise: Reform in Messiaen’s Saint François d’Assise,” in Messiaen Studies, ed. Robert Sholl (Cambridge University Press, 2007), 206–31.
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“The Record of Realism in Messiaen’s Bird Style,” in Olivier Messiaen: Music, Art and Literature, ed. Christopher Dingle and Nigel Simeone (Ashgate, 2007), 115–36.
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“Music and the Allegory of Memory in Margaret Garner,” Modern Fiction Studies, vol. 52, no. 2 (summer 2006): 524–541.
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“Composing Subjectivity: Maritain’s Poetic Knowledge in Stravinsky and Messiaen,” in Jacques Maritain and the Many Ways of Knowing, ed. Douglas A. Ollivant (Catholic University of America Press, 2002), 284–302.